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2009 2008 2007 Multiple Rights Deals in the Music Industry: CD sales have fallen steadily since 2000 and digital (while growing) is not offsetting the losses. Record companies have been looking for ways to tap into new revenue streams and multiple rights deals are becoming the industry norm. What do these deals actually entail? How willing are the artists and their managers to sign them? Are they even new? And, crucially, can they always be enforced? This book picks apart these deals, pinpoints their antecedents in the West as in Asia and looks at how approaches differ around the world. - Edited by Julian Bentley User-Generated Content: is the most discussed but least understood force to hit us since P2P. When is content user-generated and who actually owns it? What business models can be developed for it, and how can it be monetised? Do our current legal systems need to be revised to accommodate it? Examining these issues from the perspectives of various industries, this book plots out how law and business should react - Edited by Jeff Liebenson Private Copying: with the digital distribution of content redefining retail - the issue of private copying has never been more relevant, or more contested. This year's IAEL book considers if and how the needs of both consumers and copyright holders can be reconciled in an age of downloading and digital storage; or if they will always be mutually antagonistic. - Edited by Peter Marx 2006 Competition: As companies move to establish their position in the emerging digital markets, talk of mergers and consolidation has become commonplace - this book explores the competition anti-trust issues which are crucial to those market changes. 2005 Celebrity: Where celebrity, media and law meet. A collection of essays by the leading minds in entertainment law explore the effect of new legislation. 2004 Back to the Future: 30 years of experience show that new solutions in law draw on the lessons of history 2003 Music Unleashed: Legal Implications Of Mobile Music Distribution 2002 Collective Licensing: Past, Present And Future 2001 Talent In The New Millennium 2000 Legal And Commercial Effects Of Digitisation On The Music Industry 1999 Music In Film, Television And Advertising 1998 Business And Legal Aspects Of Live Concerts And Touring 1997 The Impact Of Competition Law On The Music Industry 1996 Multimedia Deals In The Music Industry 1995 Moral Rights 1994 Digital Cable Radio – The Tensions Betewen The Music Industry And The Broadcasting Industry 1993 Enforcement of Copyright and Related Rights Affecting the Music Industry 1992 Mechanical Rights 1991 Music And New Markets 1990 Neighbouring Rights: Artists, Producers And Their Collecting Societies 1989 Collecting Societies In The Music Business 1988 Music And The New Technologies 1987 Limitation Of Free Bargaining And Sanctity Of Contracts With Performing Artists And Composers 1986 Sponsorship
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